David Begbie discovered the particular properties of steel- and bronze mesh as an art student in 1977. Since then his work has been exhibited globally and has been an enormous inspiration to many people, including architects, designers, photographers, world of theatre and dance and collectors as well as to other artists. His work has been imitated and copied worldwide and the quality speaks for itself.
Wire mesh is transparent – 90% thin air, yet it has as a much greater physical presence than any conventional solid sculpture. Begbie’s skill, perception, understanding and imagination are succinctly and economically contained within the confines of the simple shell that constitutes his sculpture.
The introduction of strategic lighting as an integral part of a particular composition has the most remarkable result where the combination of two and three dimensions, with the use of projected shadows, produces an optical fusion of image and object.
The preoccupation with the human form as his subject stems from an early age, the fascination for reproducing figurative bodies in mesh has developed extensively over many years. David Begbie achieves fine sculpting detail of musculature and an aesthetic completeness of human form which has even been compared to Michelangelo and particular Rodin, even though his subject is often that of the partial or truncated figure.